Submissions to this symposium are invited from the breadth of the digital arts, science, and technology, including artists, scientists, technologists, designers, architects, psychologists, historians, critical theorists, practitioners, and others. Theories, applications, analyses, case studies, reviews, and manifestos that address all manner of process or product are welcome. Topics include, but are not limited to:
- Artistic and design practices supporting the visualization process
- Artist, designer, scientist, technologist collaborations
- Art by visualizers
- Visualizations by artists and designers
- Artistic creations and practice based on scientific/technological models and simulations
- Virtual and physical information artifacts related to, or created through, artistic and design processes
- Artistic mapping of information, including cartographic art, virtual and built architectural environments, interactive systems, and animations.
- Infographic design and its associated process
- The role of the viewer in visualization design
- Visualization design aesthetics
- The role of aesthetics in the design of information visualization tools
Symposium Committee
Francis T. Marchese, Pace University, NY, USA (Chair)
Sarah Kenderdine, University of New South Wales, Australia (Chair)
Theodor G Wyeld, Flinders University, Australia (Chair)
Tega Brain, University of New South Wales, Sydney, Australia
Daragh Byrne, Carnegie Mellon University, PA, USA
Lynn Cazabon, University of Maryland, Baltimore County, MD, USA
Grisha Coleman, Arizona State University, Tempe, AZ, USA
Please check the submission procedures @ the submission page.
General enquiries and submissions should be addressed to the Conference Co-ordinator
Symposium enquiries specific should be addressed to:
National Institute of Experimental Arts, College of Fine Arts, University of New South Wales, AU
skender (@) museum.vic.gov.au
Flinders University, AU
theodor.wyeld (@) flinders.edu.au